Vibrato & bending lessons

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This topic contains 5 replies, has 5 voices, and was last updated by James Thomas James Thomas 4 months, 2 weeks ago.

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  • #182949
    Ids Schiere
    Ids Schiere
    Participant

    I made these lessons on vibrato and bending. Also I made one on combining the different inflections I know. I kinda designed them in such a way that it’s the most effective if you do them In order. Hope you like it and feedback is always appreciated!


    #182953
    Ezequiel Romanko
    Ezequiel Romanko
    Participant

    very cool explanation ids you nailed it, the vibrato and bending are the trademarks of any guitar player and having a good technique is essential

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    #182955

    Anonymous

    Good lessons my mans. I feel pretty comfortable with my bends and vibrato. Always good to hear other opinions. You can never learn too much.

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    #182966

    Thank you for these Ids! I appreciate it!

    #183385

    Ids! Thank you! I finally finished them. Sorry it took me so long, I had been so busy.
    I’m gonna add to this thread with this other kind of vibrato called “circular vibrato”
    a technique primarily used by Steve Vai. I have adopted it because I find it very expressive and effective for the type of music I make.

    This is from directly from Steve Vai’s website, describing how to use the technique.

    “For those who are beginners on the guitar, take into consideration the importance of using vibrato effectively. Practice it and don’t limit yourself to one type of vibrato.

    One thing to be careful about when you start using vibrato is your intonation. It’s easy to put a note sharp when you vibrate it. This could be effective at certain times, but if it becomes overused, it will sound horrible.

    There are three different types of finger vibrato that come to mind. They are:

    1: ROCK VIBRATO

    Vibrate a note by rocking it up and down “from the floor to the sky”, causing the pitch to go sharp only. This technique is the most popular among rock guitar players; e.g., Page, Hendrix and Clapton. Personally I find it limiting (but intend no disrespect).

    2: CLASSICAL VIBRATO

    You can see most string players using this style. In this technique, you push the string forward, then pull it back. While pushing forward, the string will go flat because you’re causing it to get looser from the tail piece to the fret you’re on. By the same principle, pulling the string will cause it to go sharp. This is an effective vibrato because it modulates between going sharp and flat and makes it easier to control the intonation of the note. The drawback is that it’s hard to get too radical with it. One thing you can do is vibrate over the frets really fast. An example would be to play an E on the G string and slide up and down the neck in the span of a fret each way. Warren DiMartini of Ratt is well known for this technique.

    3: CIRCULAR VIBRATO

    This is my favorite, for it lends itself to the most mellifluous expression. In this technique, your finger moves in a circular motion on the string. Start by pushing the string forward, then pulling it down a bit. In the process, release the tension from pushing. Then pull the string back and follow by pushing it “towards the sky”. What you’re doing is combining both types 1 and 2, creating a circular motion with the original fretted position being the center.

    The reason I’m so fond of this vibrato is that it helps keep your intonation in perspective. The note will go both sharp and flat in the vibratory process. The width and the speed are easy to control.

    When practicing these vibratos, start slowly and smoothly. Stay slow but get really wide. Then try fast but skinny vibrato, then fast and wide. Think about being as sensitive as you can. Then try it as harsh and fast as you can without having your finger fall off the guitar (actually, let it fall off if you like).

    Now, take all these vibrato techniques and apply them to two-part, three-part, four-part, five-part, and six-part chords. Good luck!

    Vibrato is one of the most creative expressions the guitar is capable of. Certain songs will call for a certain type of expression. Let your vibrato do the talking.”

    Here is a video of Vai teaching his technique.

    #183388
    James Thomas
    James Thomas
    Participant

    TONS of good stuff here Ids! Excellent job!

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