Christopher Lonski

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  • in reply to: Creating a sinister/ creepy sounding metal song #180959
    Christopher Lonski
    Christopher Lonski
    Participant

    I think he was making a joke ha

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    in reply to: Peavey JSX Amplifier settings help #180924
    Christopher Lonski
    Christopher Lonski
    Participant

    I used to rock one of those amp, pretty great for what they were! I would use the crunch channel, maybe use the fat switch? I never really heard a big difference with that, but when you are using an overdrive in front of the amp, it helps to have a fat tone to begin with so the sound doesnt thin out too much. Definitely play with the level and gain on the pedal a bit. You can definitely get some good results with how Adam mentioned. It really depends on how the amp and pedal interact with each other. I used a boss super overdrive and kept the level a little past the half way point and the gain a notch below it. But yeah as a general rule, I keep the gain a little lower on the amp so it had a bit of crunch but isnt not super saturated, dial in more mids and bass to make things fuller, and then throw the overdrive in front of it to tighten things up a little bit.

    Also, that amp can be a little squeely at times, especially if you add an overdrive. If I remember correctly, you can turn the send and return volumes down on the effects loop to maybe 2 or 3, engage the effects loops(and keep it engaged), and then you can turn the master volume up a bit without it getting ear piercingly loud.

    If you go a little further to get that metal tone you desire, I would get a noise gate to clean up the unwanted noise and make it so NOTHING is coming out of your amp when you arent playing. I HIGHLY recommend the decimator noise gate, it’s nearly the perfect noise gate and it only has 1 knob so you dont have to mess with a bunch of settings and find a balance.

    in reply to: Yet another post about recording #180878
    Christopher Lonski
    Christopher Lonski
    Participant

    I dont know what a lot of money is to you, but you can spend maybe $200 or less between a mic and a recording interface that will get you great results. If that sounds like something you’re interested in, there are scarlett solos(which are great) are 109 brand new. Or you can get one NIB(new in box) for $92 on ebay. I saw another used for $80. Here’s one link-

    https://www.ebay.com/itm/NIB-Focusrite-Scarlett-2nd-Generation-Solo-USB-Audio-Interface/222864588489?hash=item33e3c3bec9:g:iHgAAOSwvflZPG3b:rk:2:pf:0

    As far a mic, the kind of industry standard that is on EVERY recording is just a shure SM57. They translate the sound of your amp VERY well. I saw new ones on ebay for $78. –

    https://www.ebay.com/itm/Shure-SM57-Instrument-Microphone-SM-57-Mic-w-clip-Free-Shipping-in-48-States/323517429904?epid=101820680&hash=item4b53243890:g:bdMAAMXQTT9RxKxl:rk:3:pf:0

    I would honestly recommend this because it’s a small investment and you’ll be able to use them in the future with different amps or if you ever get something like an axe fx, you will be able to use those with your new gear. It’s will also give you experience on getting good recordings and learning about recorded tones vs live tones, mic placement, mic distance, etc.

Viewing 3 posts - 1 through 3 (of 193 total)
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